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The Poisonwood Bible (Oprah's Book Club), by Barbara Kingsolver
Get Free Ebook The Poisonwood Bible (Oprah's Book Club), by Barbara Kingsolver
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Review
"A novel that brims with excitement and rings with authority." -- -- Portland Oregonian"A triple-decker, different coming-of-age novel, but also a clever look at language and cultures." -- -- San Diego Union-Tribune"Compelling, lyrical and utterly believable." -- -- Chicago Tribune "Haunting . . . A novel of character, a narrative shaped by keen-eyed women." -- -- Front page, Verlyn Klinkenborg, New York Times Book Review "Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonder." -- -- William Faulkner"Powerful . . . Kingsolver is a gifted magician of words." -- -- Time"Tragic, and remarkable . . . A novel that blends outlandish experience with Old Testament rhythms of prophecy and doom." -- -- USA Today
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About the Author
Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited--grow up to be a farmer or a farmer's wife." Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . " Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author Francine Prose, whose work Kingsolver admires. Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University. Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise." From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain--that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with--who may not often read anything but the Sears catalogue--to read my books." For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that." The Bean Trees was followed by the collection, Homeland and Other Stories (1989), the novels Animal Dreams (1990), and Pigs in Heaven (1993), and the bestselling High Tide in Tucson: Essays from Now and Never (1995). Kingsolver has also published a collection of poetry, Another America: Otra America (Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983 (ILR Press/Cornell University Press, 1989, 1996). The Poisonwood Bible, published in 1998, earned accolades at home and abroad, and was an Oprah's Book Club selection. Barbara's Prodigal Summer, released in November of 2000, is a novel set in a rural farming community in southern Appalachia. Small Wonder, April 2002, presents twenty-three wonderfully articulate essays. Here Barbara raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world. Barbara Kingsolver presently lives outside of Tucson with her husband Steven Hopp, and her two daughters, Camille from a previous marriage, and Lily, who was born in 1996. When not writing or spending time with her family, Barbara gardens, cooks, hikes, and works as an environmental activist and human-rights advocate.Given that Barbara Kingsolver's work covers the psychic and geographical territories that she knows firsthand, readers often assume that her work is autobiographical. "There are little things that people who know me might recognize in my novels," she acknowledges. "But my work is not about me. I don't ever write about real people. That would be stealing, first of all. And second of all, art is supposed to be better than that. If you want a slice of life, look out the window. An artist has to look out that window, isolate one or two suggestive things, and embroider them together with poetry and fabrication, to create a revelation. If we can't, as artists, improve on real life, we should put down our pencils and go bake bread."
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Product details
Paperback: 543 pages
Publisher: Harper Perennial; Reprint edition (October 1, 1999)
Language: English
ISBN-10: 9780060930530
ISBN-13: 978-0060930530
ASIN: 0060930535
Product Dimensions:
5.3 x 1.3 x 8 inches
Shipping Weight: 14.7 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
2,550 customer reviews
Amazon Best Sellers Rank:
#754,649 in Books (See Top 100 in Books)
So many people are judging this book based on their personal feelings about a certain subject, mostly Christianity or America. But I'm giving my review based on the story and writing. Both were excellent. It was a great story and it made you question everything you've ever thought or believed. Did BK have an agenda, of course. It was obvious. But it didn't sway my opinion of the writing or the story. There are two reasons I'm not giving this a 5 star. 1 - she contradicts her agenda more than once. At times Africa is nothing but innocent, then she goes on to tell stories of how they kill and maim, and are just as human as everyone else on the planet. 2 - I feel, and quite frankly this is a first for me, that she took the story too far. Reading on a kindle, I don't know how many pages a book is. And I love that. Some books will seem daunting based solely on their size, It can discourage a lot of people from reading it. (Example, Cutting for Stone - for me 5 stars and still my favorite book to date) But I digress. I still felt she could have wrapped up this story after they left the village but before we got fully engulfed into their adult lives - that portion just didn't capture me as a reader. All said, it was an excellent read and I will recommend it as one of my favorites.
I teach this novel in a course for college juniors and seniors. I’ve just finished reading it for the fifth time. It remains one of my favorite contemporary novels, a brilliant, evocative, beautifully written tour-de-force. It is novel about experience, growth, the resiliency of women, the harshness of a world with little justice, and the inevitability of change. Set in the Congo of the the 1960s-1980s, it recounts the terrible history of imperialism, universal quest for freedom, and strength of tradition and spiritual bonds. The ultimate religion, Kingsolver believes, is the embrace of nature, and acceptance that we, too, are part of a living, biological world, past and present, whose muntu (being) we share.My students love this novel. I look forward each time spring semester to rereading a wonderful book and introducing 20 or so undergraduates to Kingsolver’s work. Five stars (one for each of the five Price women).
I am very skeptical of books written about Africa by non Africans. I believe that our own people should be the voice of the continent. This is not the case with this book. It is an humorous, tragic, heart-rending, intricately woven tale. Kingsolver is phenomenally talented and her gift shines through the Poisonwood Bible. Several years after a good friend first lent it to me, it is still my most revered and recommended novel. This volume was a gift to my mother in law and I even liked the revised cover.
This is a beautifully written book with inspired prose and deep insights. It looks at Africa and Africans with open eyes and a sensitivity to their heritage and culture. It also examines the role of missionaries in Africa, some of whom are good and some terrible. It is not a book for the deeply religious who cannot stand to see their own beliefs challenged or to acknowledge that there are other belief systems out there that are held just as dearly by their followers.I would like to site some of my favorite passages.I could never work out whether we were to view religion as a life-insurance policy or a life sentence.Mama says their skin bears scars different from ours because their skin is a map of all the sorrows in their lives.I pictured hands like those digging diamonds out of the Congo dirt and go to thinking, Gee, does Marilyn Monroe even know where they come from? Just picturing her in thr stain gown and a COngolese diamond digger int he same universe gave me the weebie jeebies. So I didn't think about it anymore.God doesn't need to punish us. He just grants us a long enough life to punish ourselves.Illusions mistaken for truth are the pavement under our feet.There are a lot of other passages and verbal images that I loved but I can't copy the whole book here. However, there is one last thing I want to say and this is a complaint.Here is the quote:A parasite of humans that extinguished us altogether, you see, would quickly be laid to rest in human graves, So the race between predator and prey remains exquisitely neck and neck.As always, it is impossible for people to understand evolution. This passage was supposed to have been said by a researcher at the CDC. It fails to understand that evolution is not forward looking. It is highly likely that this scenario has played out over the millennium for species that no longer exist. In fact, the Tasmanian devil is currently facing extinction from a viral form of cancer that fits this description. This kind of thing is more likely in small populations where genetic diversity is limited. Probably the human race has little to fear on this account.
This book started slow for me, but it soon began to capture my attention. The characters are well developed and very complex. The story is engrossing...the struggles of a white mission family in the Belgian Congo in the 1950's. It is told alternately by the wife and daughters of an pious but abusive husband and father. It follows the characters over several years and describes the impact that time in the Congo had on their lives as some return to the US and others remain in Africa through the rebellion and beyond.
This came to me as one of the "got to read this book some time in your life" and I agree. Poignant, incredibly perceptive with its occasional glimpses into African, world and religious politics of the day (gave me a different view of colonial Africa I can tell you!), beautiful writing and very real characters that just carried me along. Emotionally engrossing - I wanted to slap him and carry them all away....
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